You use sophisticated language, communicating well and fluently. You can tell stories which have more range, ie better presented and in more depth.
You engage the listener and need your teacher less
You are trying other teachers and developing your own style
You are teaching yourself now, or at least trying to.
All root movements and l transitions in movements and in mood are impeccable.
Framing is fluid and graceful
Your fast Egyptian walk is well defined and you have mastered the sparkling Egyptian walk
You spatial awareness is good and you choreograph for yourself and for others
You are competent with veils and sticks
Your posture is excellent
You can distinguish between different styles of the dance and can articulate your observations well
SHA'ABI,
BALADI
SHARQI
and can demonstrate them with ease and refinement
You know what the words taqasim and mawaal mean and can identify them when you hear them and can interpret them very well
You refer to class music by the Arabic name and you know what the English translation is
You understand about contracting and expansion -in movements, use of space and in personality
You know a lot about the cultural context of class material eg we don't dance to prayers/devotional music in public.
You are well informed about costumes and accessories to wear and can articulate your observations of this.
Your presentation and performance skills are well established, if dancing outside the class you might get asked if you are Egyptian!
You join in at haflas and discos and have fun. You are no longer self conscious
You love to see shows and can give a critique of what you see.
You want to have dance opportunities and seek them
Your own style is emerging and you love it.
Your dance wardrobe has expanded considerably.
Anne White
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